Friday, February 11, 2022

Movie Review : Kadaysi Vyavasai - 11 Feb 2022

 Director: M. Manikandan

Cast: Nallandi, Vijay Sethupathi, Yogi Babu, Muneeshwaran, Raichal Rabecca Philip

Genre: Drama
Runtime: 142 minutes

Synopsis:
"Kadaisi Vivasayi" (The Last Farmer) is a poignant drama that revolves around the life of an elderly farmer, Maayandi, played by a non-professional actor, Nallandi. Set in a small, picturesque village, the film explores the themes of tradition, sustainability, and the struggles of the agrarian community in the face of modernization and neglect.

Plot:
The narrative follows Maayandi, the last active farmer in his village, who continues to practice traditional farming methods amidst an environment that is rapidly changing. When Maayandi is wrongfully accused of a crime he did not commit, the community's dependence on his farming knowledge and their apathy towards agriculture come into sharp focus. As the village grapples with the implications of his absence, the story delves deep into the essence of rural life and the irreplaceable value of those who sustain it.

Review:

Story and Direction: M. Manikandan, known for his realistic storytelling, crafts a narrative that is both simple and profound. "Kadaisi Vivasayi" does not rely on dramatic twists or high-octane sequences. Instead, it finds beauty in the mundane, portraying the life of a farmer with a sense of authenticity and respect. Manikandan’s direction ensures that the story resonates with the audience, drawing attention to the plight of farmers and the importance of preserving agricultural traditions.

Performance: Nallandi, in his debut role, delivers a heartwarming performance as Maayandi. His portrayal is natural and unembellished, bringing an air of sincerity to the character. The casting of a real-life farmer adds a layer of depth and authenticity to the film. Vijay Sethupathi, in a cameo role, and Yogi Babu, known for his comedic roles, provide strong support, adding nuance and depth to the narrative.

Cinematography: The film’s visual appeal is enhanced by the stunning cinematography that captures the rustic charm of the village. The use of natural light and wide shots of the landscape underscore the connection between the farmer and his land. The cinematography not only enhances the storytelling but also serves as a tribute to the natural beauty and serenity of rural life.

Music: Ilaiyaraaja’s music is soulful and complements the narrative perfectly. The background score and songs are subtle yet powerful, enhancing the emotional impact of the film. The music reflects the simplicity and depth of the story, creating an immersive experience for the audience.

Themes: "Kadaisi Vivasayi" tackles important themes such as the decline of traditional farming, the impact of modernity on rural communities, and the disconnect between urban and rural life. The film serves as a critique of the apathy towards farmers and highlights the critical role they play in sustaining the community and the environment.

Pacing: The pacing of the film is deliberate, mirroring the slow, steady rhythm of rural life. While this may feel slow to some viewers accustomed to fast-paced narratives, it is this very pacing that allows the film to delve deep into its characters and themes, providing a rich and contemplative viewing experience.

Conclusion: "Kadaisi Vivasayi" is a deeply moving film that sheds light on the lives of farmers and the challenges they face. It is a celebration of resilience, tradition, and the enduring bond between man and nature. M. Manikandan's storytelling, combined with Nallandi's poignant performance and Ilaiyaraaja’s evocative music, makes this film a must-watch for those who appreciate cinema that is both thought-provoking and emotionally resonant.

In a world that often overlooks the contributions of its farmers, "Kadaisi Vivasayi" stands as a powerful reminder of their indispensable role and the need to cherish and support them. It is a film that stays with you, urging you to reflect on the true value of the simple, unassuming lives that are the backbone of our society.

Efflorescene 2021 - Chennai Poetry Circle - Virtual Launch and Annual Seminar 11 Feb 2022

 



Efflorescence 2022

 Poem Title:  Shakthi

 

 O’ mighty Woman,

Wake up from weird thoughts

to kills the inner demons

Do away with those outside

Fierce like the fire in rage

Spread your wings afar

with the roaring bliss

that every woman not to miss

 

O’ mighty Woman

Let the tears flow free

myriads of the unspoken flee

fade away with the tears

chasing away all your fears

Arising high above the common

There is no way to die

Up, arise and shine

 

O’ mighty Woman

choice to live is yours

the way you want to glow

shun the age-old practices

no matter how and where

Powerful and merciful

glowing bright & wonderful

Be yourself, a vibrant Shakthi

 

Poem 2- Diversity

 

 

I sat at the sea, unable to see

my thoughts lingering like waves

with the broken shells touching my feet

I could feel the rising sun rays

Lifted my guitar up to sing

lyrics and notes all along ring

I may be blind, but with heart I can see

the world that stood with me!

 

I tried to stand up and walk

to the beach waves drenching my feet

Alas, my wheelchair, it doesn’t let me

Silently I sat at the bridge

watching children play

Imagining God’s foul way

of creating me, different

Yet, I ‘stood’ strong vibrant!!

 

I could see him shout at me

Yet my ears are deafened to hear him

His lips dancing words

wanted to answer him loud

but dumb voices cannot be heard

closed my eyes, in ardent prayer

leaving behind all my fears

my eyes opened, conveying all that it can

 

Each one of us, have a story

of grit, wisdom, and fury

Respect the indifferences around

making this world profound

Embrace the diversity

to live in unified dignity

Broken, yes, we all are!

Together we can, make our own Ikigai!!!

  

About the Poet:

 

Umasree Raghunath is a Senior IT Director, Author/ Blogger/ Poet/ Lawyer/ Diversity & Inclusion Social Activist/ Motivational Speaker, Past President - Inner Wheel Club of Madras South, President-eWIT (Empowering Women in IT), Chennai, India.   

Umasree has close to 400 poems across various themes, 800+ blog posts, several short stories, 2 published books – ‘Simply Being Sidds’ and ‘After the Floods’ and several articles on various subjects, situations and emotions and been writing since she was 13 years old.   She is also having a live blog in her own name. And part of several poetry anthologies of both National and International repute.