Sunday, May 4, 2025

*The Curmudgeon and the Colt*- A short story

 #pandorathom2025 #day3. #umasreeraghunath

*The Curmudgeon and the Colt*
In the quiet, almost forgotten corner of the valley, lived a man named Jebomany. He was the type of person everyone steered clear of—known for his sour temper and even worse attitude. A curmudgeon, they called him, though no one dared say it to his face. Jeb had no use for friends and preferred the solitude of his little farmhouse, nestled beneath the sweeping canopy of an ancient oak tree. It was said the tree had been there for centuries, its branches twisting like old bones reaching for the sky.
Jeb's house was small, with a weathered porch and a rusting wind chime that never seemed to move, even in the gustiest winds. It was a place of quiet isolation, where the only sounds that filled the air were the chirps of crickets in the summer evenings and the occasional hoot of an owl from the nearby woods.
One day, while Jeb was sitting on his creaky rocking chair, a commotion came from outside. He grumbled under his breath, annoyed by the disturbance. When he stepped outside, he saw a colt, no older than a year, tethered to the fence by his barn. The colt was wild-eyed, tossing its head, and neighing anxiously as it struggled against the rope.
A cat—black as midnight—watched from the edge of the porch, tail flicking slowly, as if amused by the colt's confusion. Jeb scratched his beard, wondering how the animal had ended up in his yard. No one had ever bothered him enough to leave such a creature. He had no use for horses or their owners, and yet here was this young colt, seemingly abandoned.
"Well, look at you," Jeb muttered, walking toward the colt. "Ain't nothing but trouble, that's for sure." He paused, glancing at the cat, who merely blinked at him before licking its paw, unconcerned with the whole situation.
Jeb's fingers tightened around the rope that bound the colt. He tugged, but the animal resisted, kicking up dirt and whinnying loudly. "You're stubborn, aren't you?" Jeb muttered. But despite his irritation, there was a faint, reluctant fondness growing within him. He had dealt with animals his entire life, but something about this colt—so young and wild—made him pause.
The sky began to darken, the sun dipping behind the thick canopy of trees. The crickets outside had started their rhythmic chirping, a sound that usually signaled the end of another long day. Jeb sighed, leaning against the fence. He had no plans for the colt, no desire to keep it, and yet something told him it needed to stay. It needed his care, even if he didn’t want to admit it.
With a sigh, he started to untie the rope. The colt, realizing it was no longer confined, stood still, its head lowered in a calm submission that surprised Jeb. It looked at him with those wide eyes—almost pleading.
"I suppose I can’t just leave you out here to fend for yourself," Jeb muttered, shaking his head as he led the colt into the barn. The cat followed, its green eyes glowing in the twilight, as if approving of Jeb’s decision.
Inside the barn, Jeb made a bed of hay for the colt, and as he worked, he found himself humming a tune under his breath—a habit he hadn’t realized he still had. The colt seemed to sense the shift in the air, and as Jeb placed the last piece of hay, the colt lay down with a soft snort, curling its legs beneath it.For the first time in years, Jeb didn’t feel so alone. The company of the colt, and the quiet presence of the cat, seemed to fill a space he hadn’t known was empty. Outside, the crickets still sang, their song a reminder that life continued, even in the most unexpected ways.
As the night settled in, Jeb stood by the barn door, looking out at the darkened valley. His heart, which had been hardened over time, seemed to soften just a little.
"Well, I’ll be," Jeb whispered, turning to the colt. "Maybe you ain't so bad after all."
And for the first time, Jeb felt the warmth of something he hadn’t felt in years—something that resembled connection. He wasn’t sure what the future held for him and the colt, but one thing was certain: he wasn’t as alone as he once thought.
The cat meowed softly in the corner, as if in agreement, and the sound of crickets filled the air once more, serenading the old man, the colt, and the cat under the canopy of trees that watched over them all.

Friday, April 18, 2025

#NaPoWriMo2025 - Opposites makes life!

 #alsnapowrimo2025 #day18




Love and hate are woven
In the fabric of the soul,
They pull at the heartstrings
And leave us feeling whole and broken.
Love lifts us to the heavens,
Yet hate drags us to the depths,
A never-ending tug-of-war,
Where the battle rages without rest.
Joy and sadness walk together
Through the same winding path,
In one breath, we laugh aloud
And in the next, tears fall fast.
We cradle both in fragile hands,
Each emotion has its place,
The light and dark entwine,
Creating beauty in their grace.
Life and death are strangers,
But they meet at every turn,
Life is but a fleeting moment,
And death the fire that will burn.
We chase the days, unaware
That time is slipping fast,
A single breath, a single step,
And all that was will be the past.
Day and night are bound by fate
In an eternal dance of time,
The sun gives way to the moon,
While stars above silently chime.
One holds the warmth of day,
The other the peace of night,
Together they form the rhythm
That sets the world alight.
Trust and betrayal walk beside
Each other in our hearts,
Trust is the fragile flower,
Betrayal the thorn that imparts.
We build our faith in others
Then watch it slowly fall,
Yet still, we seek to trust again
Despite the rise and the fall.
These dimensions of life intertwine,
A tapestry of joy and strife,
Each thread, each emotion,
Shapes the beauty of our life.

#SeeingRed Seeing Red - A Short Film! A slapstick satire in Tamil

 #seeingred

A viewer's review..
This film takes us into a society that believed in certains ways of life. It is not about any specific community. It is about a society that set certain unappealing boundaries on women without any logical reasoning. Customs and traditions are made for convenience of mankind. It reflects on the mindset of people during various generations.
Lot has changed and transformed ever since. In the last 40 years, we have witnessed not only a transforming change in the society with regard to women, but also towards a much empowered and diversified acknowledgement of women power.
No longer we have all households with separate puja rooms or restrictions on women that can be imposed. However, there are still fractions of society that silently imposes the age old customs on the family members. Mindsets have changed but not for all. There are traces left behind
This film is a hit on the head for those 'old school' customs and thoughts. The director Shalini Vijayakumar has beautifully woven the script with ample humour and wit to reflect on the leftovers of a bygone era which seems to haunt few families even today.
Looking at this deep subject with an amazing way, Director and her team of young talents took us on a time travel to show the family dynamics and how it ghosts the minds of women suppressed and conditioned. 25 years ago, I as a women did experience a bit of this and know the inconvenience it caused. Today things changed only because we have living Shalinis' around us making it easy for every woman and in fact many men making our lives easy
Technical brilliance of the crew to be appreciated with managing to film a movie n an iPhone and qualifying for a renowned film festival. The setting of the house with the colours that showcased the time of the film, especially greens n blue and the beautiful big frames of deities in Puja room and the backyard...kudos to the production design team and DoP Viki who did a brilliant job. Young and hardworking crew with a brilliant selection of artists as cast made this short film a wholesome entertainer.
When you have a mentor like #vetrimaran , you are compelled to deliver the best! You will put your heart, head and heals over the delivery. #ShaliniVijaykumar as a director is here to stay! Her script and direction is brilliant and Roju, #Kanupriya and everyone did give their best. When you have senior artists like #BadavaGopi sir and #AppaRamesh sir, you not only bring in discipline, quality and learning to the table but an amazing output. Young #Shivani to the amazing #RaBo Patti , every artist gave their best. Every technician and including lightmen, make up artists, hair dressers, the crew went along the script.
Personally, I am delighted Aishwarya worked in this project on costumes and styling. As a mother, I have seen her creative thinking from an early age and I was always confident she carried the best of genes of legendary art director A.k.sekar Garu...
As a viewer, I loved the film. The theme, the making, the cast and crew and all about #SeeingRed. Watch it!

Proud of you my girl Aishwarya Raghunath and the entire team of Seeing Red ..wishing you the best for this film...
This film was one of the four films in India that got selected for the MUMBAI FILM FESTIVAL. Great job Shalini and team
🙂
So happy Aishu got to work with you Ramesh Krishnamurthy Sir ...and wonderful team under the mentoring of Vetrimaran Sir...

https://www.youtube.com/watch?v=OZYLe-6KHuI













Seeing Red, a slapstick satire in Tamil from the second edition of MAMI Select: Filmed on iPhone IS OUT NOW on YouTube!
Mentored by #VetriMaaran
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